In this remarkable collection of 100 manifestos from the last 100 years, Alex Danchev presents the cacophony of voices of such diverse movements as Futurism, Dadaism, Surrealism, Feminism, Communism, Destructivism, Vorticism, Stridentism, Cannibalism and Stuckism, taking in along the way film, architecture, fashion, and cookery. Artists' manifestos are nothing if not revolution...(展开全部)

Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For now her only value lies in the desire she can stir in others. But Amara's spirit is far from broken. By day, she walks the streets with t...(展开全部)

Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Ma...(展开全部)

乔治・瓦萨里（Giolgi Vasarl，1511一1574），意大利作家、画家和建筑师。瓦萨里生于阿雷佐。自幼学习艺术，后赴佛罗伦萨，在安德烈亚・德尔・萨尔托的作坊里干活，受到梅迪奇家族的保护。瓦萨里遗世的主要绘画作品，是佛罗伦萨老宫和罗马梵蒂冈宫内的壁画。作为建筑师，瓦萨里是同时代伟大的米开朗琪罗的追随者。他设计的重要建筑有佛罗伦萨乌菲齐宫（现为博物馆）、比萨和阿雷佐的若干宫殿和教堂。但是，他对艺术史的主要贡献是他的意大利文艺复兴时期重要艺术家的传记。

乔治・瓦萨里（Giolgi Vasarl，1511一1574），意大利作家、画家和建筑师。瓦萨里生于阿雷佐。自幼学习艺术，后赴佛罗伦萨，在安德烈亚・德尔・萨尔托的作坊里干活，受到梅迪奇家族的保护。瓦萨里遗世的主要绘画作品，是佛罗伦萨老宫和罗马梵蒂冈宫内的壁画。作为建筑师，瓦萨里是同时代伟大的米开朗琪罗的追随者。他设计的重要建筑有佛罗伦萨乌菲齐宫（现为博物馆）、比萨和阿雷佐的若干宫殿和教堂。但是，他对艺术史的主要贡献是他的意大利文艺复兴时期重要艺术家的传记。

Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Ma...(展开全部)

A chronological introduction to women artists throughout history, this book provides a rich understanding of key female artists from the Baroque to the present day. In 1971, in an essay that has now become one of the touchstones of feminist art history, Linda Nochlin raised the question heard round the world: “Why have there been no great women artists?” Since the 1970s, as a r...(展开全部)

魏玛莎（Marsha Weidner），主要研究中国古代女画家绘画以及明代佛教艺术。现为堪萨斯大学教授。

魏玛莎（Marsha Weidner），主要研究中国古代女画家绘画以及明代佛教艺术。现为堪萨斯大学教授。